Robert Ashley, solo voice; with Thomas Buckner, Carla Tato, Jacqueline Humbert, voices; “Blue” Gene Tyranny, keyboards; Paul Shorr, mixing and electronics. Recorded live at the Teatro Olimpico in Rome. Sung in English and Italian. “Ashley makes use of the story of “Atalanta” – a royal princess, discarded by her family, who was raised by the animals to become the fastest-running human, and who was later reclaimed by her father to marry her off for dynastic purposes-to present the character aspects of the “successful suitor.” These three aspects of character are presented in the opera as anecdotes about three extraordinary men of our times: Max Ernst (surrealist painter), Willard Reynolds (shaman storyteller) and Bud Powell (composer pianist). The genius of these three men can be taken to represent three aspects of the opera itself: image, narrative and music. In the imaginary setting of Atalanta (Acts of God), one companion (singer) reminds her of her excellence (the “Odalisque” arias); another recommends to her the characteristics of excellence in men (the “Character Reference” arias); and a third amuses her with anecdotes, as if told to her by each of the three men (the “Anecdotes”).”