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“Approaching the forest as if were a city, a construct, an ensemble of strata and vertical heights where signals answer, contrast and ignore each other. Variations occur, fullness and emptiness are created according to the weather and the peak and off-preak hours. This density that language can’t define presents a challenge for the ear, and from this density surfaces, from time to time, certain analogies to a modern sound environment. Cultural leads fraw our experience of these natural acoustic phenomenin towards the domain of technology : “it sounds like… it’s like…”.
The timbres ? The sound structures ? There exists something in a tropical forest that sounds like and plays within the realms of electronics, music and electronics noise ; something characteristic of an era long before the birth of biotopes that form this forest and create this sound. Script geometry comes from this idea and the desire to work with density, in an attempt to extract forms that characterize these analogies. Taking these sounds out of their context and rearranging them as we would patch cables on a synthesizer ; weaving these strata and vertica heights into a different pattern by using the signals from the forest as if they were synthetic sounds : dissecting this spectrum and looking for something that can only be revealed through listening, this is the essence of the project”. Thomas Tilly – Winter 2012
“In March 2013, I traveled to the Nourages scientific research station in French Guiana. Situated in the heart of a tropical rainforest, this station welcomes international scientific research progams dealing with tropical forests and their biodiversity. For the 30 days and nights of my stay, i listened to and captured the sound environment with an emphasis on animal communications : those wich are perceptible to the huan ear, but also the inaudible spectrum. The result is a collection of compositions and phonography characteristic of the zone.
No electronic treatement has been added to these recordings other than a low cut filter and a light EQ mix.
Script Geometry was conducted as an artist-in-residency programme at the Confort Moderne, Jazz à Potiers, the Lieu Multiple and the Nouragues Station in French Guiana between February and June 2013. A series of concerts, conférences, broadcasts and a creative workshop took place in accompaniment to the project”.
2 LP mastered by James Plotkin. CD mastered by Thomas Tilly. Cut by Rashad Becker at Dubplates and Mastering, Berlin.
Les habitués de Metamkine connaissent le travail de Thomas Tilly, sous son nom ou sous celui de Tô. Adepte d’une part de l’improvisation bruitiste avec micros, haut-parleurs et surfaces amplifiées au sein de L’échelle de Mohs, il travaille seul avec le microphone et ses oreilles plongé dans un environnement sonore et sa confrontation avec l’espace. Son travail emprunte autant à la recherche musicale expérimentale que scientifique.
Durant le mois de Mars 2013, Thomas Tilly est parti travailler sur les stations du CNRS au Nouragues, une réserve naturelle de forêt primaire située au cœur de la Guyane. Une rencontre avec une nature sauvage, parfois hostile, et toujours vivante ! Et évidemment une activité sonore hallucinante. Dans ce projet, Thomas Tilly tente d’aborder “ces environnements sonores naturels comme des ensembles connectés, complexes, dans lesquels l’oreille humaine trouvera une analogie étonnante avec la musique électronique. Script geometry propose une écoute sensible et engagée de phénomènes sonores inattendus, affirmant la subjectivité de la pratique du microphone comme le véhicule d’une forme de musique expérimentale”. Tout simplement excellent !